The God of Small Things

by Arundhati Roy


3.00 out of 5 based on 1 customer rating
(1 customer review)

3.00 out of 5 based on 1 customer rating
(1 customer review)

Description:

The year is 1969. In the state of Kerala, on the southernmost tip of India, fraternal twins Esthappen and Rahel fashion a childhood for themselves in the shade of the wreck that is their family. Their lonely, lovely mother, Ammu, (who loves by night the man her children love by day), fled an abusive marriage to live with their blind grandmother, Mammachi (who plays Handel on her violin), their beloved uncle Chacko (Rhodes scholar, pickle baron, radical Marxist, bottom-pincher), and their enemy, Baby Kochamma (ex-nun and incumbent grandaunt). When Chacko’s English ex-wife brings their daughter for a Christmas visit, the twins learn that things can change in a day, that lives can twist into new, ugly shapes, even cease forever, beside their river…

339
English
Genre, Indian Writing

About The Author

Suzanna Arundhati Roy (born 24 November 1961) is an Indian author. She is best known for her novel The God of Small Things (1997), which won the Man Booker Prize for Fiction in 1997. This novel became the biggest-selling book by a nonexpatriate Indian author. She is also a political activist involved in human rights and environmental causes.Roy began writing her first novel, The God of Small Things, in 1992, completing it in 1996. The book is semi-autobiographical and a major part captures her childhood experiences in Aymanam.

The publication of The God of Small Things catapulted Roy to international fame. It received the 1997 Booker Prize for Fiction and was listed as one of the New York Times Notable Books of the Year for 1997. It reached fourth position on the New York Times Bestsellers list for Independent Fiction. From the beginning, the book was also a commercial success: Roy received half a million pounds as an advance. It was published in May, and the book had been sold to eighteen countries by the end of June.

The God of Small Things received stellar reviews in major American newspapers such as The New York Times (a “dazzling first novel,extraordinary”, “at once so morally strenuous and so imaginatively supple”) and the Los Angeles Times (“a novel of poignancy and considerable sweep”), and in Canadian publications such as the Toronto Star (“a lush, magical novel). By the end of the year, it had become one of the five best books of 1997 by Time. Critical response in the United Kingdom was less positive, and that the novel was awarded the Booker Prize caused controversy; Carmen Callil, a 1996 Booker Prize judge, called the novel “execrable”, and The Guardian called the contest “profoundly depressing”. In India, the book was criticised especially for its unrestrained description of sexuality by E. K. Nayanar, then Chief Minister of Roy’s home state Kerala, where she had to answer charges of obscenity.


1 review for The God of Small Things

  1. 3 out of 5

    The God of Small Things is story about seven years old Estha and Rahel, two-egg twins. Estha and Rahel along with their Ammu (mother) live in their maternal grandparents’ house in Ayemenem (Kerala) following Ammu’s divorce. Ammu works in the family’s pickle factory in spite of which she and her kids are denied any rights, let alone love, by her Oxford returned brother Chacko who considers them nothing less than millstones around his neck. The story goes further when Chacko’s ex-wife Margaret brings their daughter Sophie to Ayemenem on a visit from London. The ill-fated visit ends in the demise of Sophie for which Estha and Rahel have to pay a heavy price. The kids are the biggest victims as they are snatched of their childhood, their happiness sought in small things. The story reveals History’s cruel way of taking revenge at people who break the Love Laws. ‘The laws that lay down who should be loved, and how. And how much. An individual striving constantly to understand human behavior, I completely love the author’s way of expressing the sensitive thoughts and dilemmas of human mind as a child, as an adult, as a mother, as a lover. The story gives me the reassurance about human vulnerability to be loved, to dream and to be happy every time I read it. Apart from the touching story I love the book’s language which is a completely different experience in itself. Arundhati’s finest work till now and unarguably one of the most beautiful books of our times, the book is a must read for every sensitive and passionate reader.

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