The Girl Who Kicked The Hornets Nest

by Steig Larsson


4.00 out of 5 based on 7 customer ratings
(7 customer reviews)

4.00 out of 5 based on 7 customer ratings
(7 customer reviews)

Description:

In the third volume of the Millennium series, Lisbeth Salander lies in critical condition in a Swedish hospital, a bullet in her head. But she’s fighting for her life in more ways than one: if and when she recovers, she’ll stand trial for three murders. With the help of Mikael Blomkvist, she’ll need to identify those in authority who have allowed the vulnerable, like herself, to suffer abuse and violence. And, on her own, she’ll seek revenge against the man who tried to killer her and against the corrupt government institutions that nearly destroyed her life.

746
English
Genre, Thrill Mystery Adventure

About The Author

Karl Stig-Erland “Stieg” Larsson (15 August 1954 – 9 November 2004) was a Swedish journalist and writer. He is best known for writing the Millennium trilogy of crime novels, which were published posthumously and adapted as motion pictures. Larsson lived much of his life in Stockholm and worked there in the field of journalism and as an independent researcher of right-wing extremism.

He was the second best-selling author in the world for 2008, behind Khaled Hosseini. The third novel in the Millennium trilogy, The Girl Who Kicked the Hornets' Nest, became the most sold book in the United States in 2010, according to Publishers Weekly. By March 2015, his series had sold 80 million copies worldwide.


7 reviews for The Girl Who Kicked The Hornets Nest

  1. 4 out of 5

    “Excellent Reading”

  2. 4 out of 5

    I absolutely hate you! But,I think I love you too. While every author has some characteristic quality, yours seem to be to make readers pissed at you. Ever since I picked up the 1st book of this Millennium saga, I have regretted my decision countless times. You have forced me to bang my head on the wall, pull my hair, throw your books at the end of the room, and then pick it up again and read it like a mad woman, totally forgetting the outside world. You have left me with so many contradicting emotions, kept me awake at night, and if my predictions are correct, I will be thinking about you, this series and your incorrigible characters for at least 2 weeks now. You have made life hell for me for the past two months. Do you know how irritating it has been to see this book as a permanent fixture on my bookshelf and currently reading shelf? I mean, what is the point of all the unnecessary yakking? Why the lengthy details? Why introduce characters like Salander’s twin, and that Fegarula person? And why the hell do you add sex scenes that feel so completely out of place in the story. I must also comment on how Mikael’s character has become too much of a Mary Sue. Desired by all women? Why is that so? I wonder how much of you is represented through him

  3. 4 out of 5

    After finishing The Girl Who Kicked the Hornet’s Nest, the last of the Millennium Trilogy by the late Stieg Larsson, I have a great desire to order a tray of sandwiches and coffee, fire up my 13 inch MacBook Pro, and order some Ikea furniture online. This summed up the trilogy brilliantly, wrapped it all up. Larsson has created some characters that will live in world literature for some time. One aspect of this fiction that I can compare to our system in a positive light is that our statutory rules for involuntary committals require the testimony of two independent medical doctors. I was cringing throughout the final courtroom scenes as Swedish civil procedure is clearly very different from our rules, I kept waiting for an objection that never came. Still the cross examination of Teleborian by Jiannini was outstanding drama of the highest order. Some of the descriptions of the trial are stunning. This was so much more than a spy thriller, or a murder mystery or even a legal drama, this was a fascinating character study, psychological thriller and all the other genre specific labels rolled into one. Great book, great end to a very enjoyable series.

  4. 4 out of 5

    It seems like a particularly cruel joke that Steig Larsson died shortly after getting a deal to publish his Millennium Trilogy. Would he have continued on with these tales of Salander and journalist Mikeal Blomkvist if he would have lived? Unless the rumors are true about Larsson’s long-time girlfriend having a laptop with a fourth book saved on it stuck in a safety deposit box somewhere as she fights with his family over the cash cow this series has become, we gotta assume that this is the last we’ll see of Larsson’s dynamic duo. And it is a crying shame because Salander has quickly become one of my all-time favorite characters.Second, even though Salander and Blomkvist are the main characters, in the three books, they’ve only got to work together directly for about half of one novel. They get very few scenes together other than that, and that odd couple aspect was a great part of the first book and their unlikely friendship is a key driver to the plots of all three novels so it’s weird to realize that they spent more time apart than together.Despite these points, I still loved these books and their slightly off-beat structure. I only wish that Steig Larsson was alive and sitting in Sweden on a pile of money as he churned out more of these terrific thrillers

  5. 4 out of 5

    These books really shouldn’t work. Stieg Larsson is a very weird writer. He likes to tell us absolutely everything someone is doing. If Stieg wrote the story of my morning, it would go like this:This is an excellent wrap-up to Lisbeth’s story and the trilogy, leaving exactly one thread hanging, and a small one at that, which is remarkable considerng it’s number three in a planned run of 10. It leaves Mikael and Lisbeth in a great place, and pays off pretty much everything that was established over the previous two books. That it does so with a histrionic courtroom scene, all the better. I don’t read legal thrillers but I love courtroom scenes in movies, especially when judges say stuff like “I’m going to allow it, but you’d better be going somewhere with this.” No one says that here, but only because apparently you can do whatever the fuck you want in a Swedish courtroom without bothering to talk to the judge at all. On the bright side, a flustered prosecutor does break out another old chestnut –“This is highly irregular!” — that almost makes up for it.So, yeah, I’m a little sad that Lisbeth has stalked off to that big Ikea-furnished apartment in the sky to join her creator. And I wish Stieg didn’t eat quite so many of the fatty sandwiches and Billy’s pan pizzas he loved detailing so much (hey, write what you know). If book 4 never emerges from that mythical laptop, though, this is a pretty good place to end things.

  6. 4 out of 5

    This is the third (completed) novel of what Stieg had hoped would be a ten-volume opus. At the end of the last book, Lisbeth Salander had been shot by her evil and well-toasted natural father, a former Soviet spy who had been granted immunity in Sweden in return for handing over information. We pick up the story here as she arrives at an ER with several wounds, including a bullet wound to the head, with the bullets still inside. There is a diversity of action and character focus. There are the usual bedroom shenanigans, although that seemed reduced this time around. Journalist Mikael Blomkvist joins with other investigators, public and private, to get to the bottom of why the dastardly Zalachenko was officially protected for so many years, and why Lisbeth Salander was forced to pay a harsh price for his existence. Will the baddies get their comeuppance? Will Lisbeth hack into your computer, maybe get herself a new tat? Although the underlying concerns are serious, secretive, autocratic tendencies in Swedish government, wide-ranging societal hostility towards women, this is a fast-paced and riveting legal and journalistic action yarn, a page turner, populated with a wide spectrum of interesting characters. Fasten your seat-belts. Enjoy the buzz.

  7. 4 out of 5

    Absorbing . just a bit too long – 670 pages ! With 100 less pages , it would be even more gripping.

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