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Ohh Gods Are Online-Skryf Library
by Rashma Kalsie
Description:
Ohh! Gods Are Online..’ is an experimental book wherein the Gods move from the realm of the fantasy to the real world in the quest of solutions to the human dilemmas as they decide the fate of their creation Mankind.
Christ lives on his own island where the dead souls are welcomed to the afterworld. The other God, Krishna, lives in the harsh real world as a humble pantry boy employed in a hospital easing the final journey of the people who are dying. Buddy Roy, the Buddha, sends his calming waves to the world from afar. Ati, the God of Atheists, lives on his island with his own set of followers. While Gods go about their tasks they connect on Facebook to chat up’ God things.
The Gods travel between the imagined worlds Clacton-on-Sea, Jaywick, Frinton-on-Sea, the underwater World of Mermaids and the real world. Human stories of mortals are woven within the fabric of the main story of Gods. Sunderaman is the meanness in man that Gods must confront. Nick, the God of Evil, contrives to use Sunderaman as a pawn to oust the Gods. Somdev, the Godman, wants his share of the Gods’ world. Gods watch over as human characters live out their destinies.
A fast-paced novel, Ohh! Gods Are Online..’, moves between the worlds of men, Gods, and evil forces. Men are transformed to animals and Gods live like men. The characters slide from one life to afterlife and the next life.
Humour, philosophy, fantasy, mythology, and a compelling story are crafted together to write the novel. The novel was neither discussed, nor planned. The chapters were added in a two-year-long to and fro of the script between the authors. The story took many turns and twists as the writers played a game of challenging each other with new characters and plots. The story was neither planned, nor contrived, it was allowed to flow.
About The Author
Rashma is a writer and playwright. Her recent play, The Lost Dog, was produced with the Australian government's assistance and successfully staged in Melbourne, Australia. The play received international media attention and critics acclaim. Also, she was invited to talk about the play to women's writing organization in Cincinnati, Ohio, US. Rashma has been involved with many NGOs and is the founder of Indian Diaspora Dramatics Association, Australia.
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